A Night of Song: OCVI PA Choral Showcase

A Night of Song: OCVI PA Choral Showcase

Family, friends and supporters spent a lovely evening with the students participating in the choral programming and recently the Ontario Choral Festival.

The Choral Festival Showcase gave a taste of the wonderful songs that were performed at the Ontario Choral Festival. All of our participants are invited to Nationals which is a big sign of the talent within these walls.

Soloists gave stellar performances, accompanied by talented staff and students on the piano – including Nancy Allison who also teaches in the Instrumental program. The choirs are lead by Erin Collins who teaches in the Vocal program. Dylan Billings is a steadfast presence running the sound and lighting and we have so many students who help plan and run the event.

Programming in the OCVI Performing Arts is self funded so every performance helps the program exist for our students. It is a special place with special staff, students and families who all believe in the arts as a foundation for a life well lived.

Watch the talent on Youtube: https://www.youtube.com/watch?v=ln8fL7hSoes

Kirsten McGoey

Kirsten McGoey

Visual Storyteller

Trinity Design Photography has served the Durham Region for over 13 years and counting. They offer a variety of retail and commercial photography services for your family and your business.

STOCK: Whitby Santa Claus Parade 2025

STOCK: Whitby Santa Claus Parade 2025

The 2025 Whitby Santa Claus Parade is an annual event that I am proud to say we have had the pleasure of being in as a family in some respect 4 times. From dancing with Jennifer’s Arts in Motion to walking with the Rotary Club of Whitby “Santa and Mrs. Claus” float our boys are experienced parade participants. I even walked the entire parade backwards the first time to capture the dance group our son was in.

See below some of the images we took during the parade. 

Interested in the images we created? We work with local tourism entities to ensure the message to visit and enjoy Whitby stays current and the story well-told.

Kirsten McGoey | Visual Storyteller | Trinity Design Photography

It’s Time to Stop Asking for Free Services

It’s Time to Stop Asking for Free Services

This January will be our 13th year in business and over the years as a photographer I am asked time and time again to provide services for a variety of businesses and their events – from not for profits, local fairs to radio stations to clubs. The prevailing theme?

Can you work our event for “free”, for “a sponsorship naming” or to “give a donation”? 

In my line of work I often do work for causes I believe in, shoot stock (which means no sales are guaranteed) and donate sessions but each time I do so I choose to offer the services. We are encouraging you to think about events and services differently. Why? Because how you present information to a service provider is key to any partnership paid or in kind.

Choice. That is the key hallmark to how to approach creatives when using them.

Ultimately every event should have a budget to cover the basic services needed to run that event including the venue, the meals, the staff, the decorations, the swag, the marketing, the event licence (and more) and yes the creatives to film or photograph the event. Every bag, paper clip, candy bar, swag and more should all be in your budget.

Be it a for profit or not for profit the base costs should never be covered on the shoulders of another business or business services.

If you are hoping for savings through services or donations this should be something offered as a secondary option to any services (albeit creative or food or other). We have a budget of “x” but should you be “in a position to offer the services” we can offer “sponsorship” (or similar). This is essential as in the current economic climate many businesses are hanging on by a thread as costs have increased 60% since the pandemic, people are holding onto their money more tightly and overall there just isn’t a lot of work out there.

Is what you are offering valuable?

A few years ago I was asked to help with a radio station event in exchange for radio ads. As a photographer I was gobsmacked as my business is visual and a radio ad isn’t of any value to a small local photographer. I sell services based on my own reliability and the visuals I produce. Not seeing the product makes the radio ad of no value to my marketing strategy and I had by this time built up brand recognition based on my purple colour and vibrant imagery. None of that would come through across the airwaves.

Similarly I was asked to cover an event (no other information provided) or to provide the name of a student who could. When I pointed out that a) I had 12 years under my belt and was not a student and the b) the student also deserves a living wage the response was predictable. How could a student or myself not want to be the event photographer at this event where 200 couples would be looking for a photographer?

I assume it was a wedding show. I would counter that fact means nothing to the photographer as they would not be showcasing their work to the couples but instead engaged in a service that strongly benefited the person running the show.

Side Note: I am not in the business of providing students clients who do not value the work we do.

Know your worth. In fact shout it from the rooftops, the cost of doing business is valuable if you want to be around for 13 years.

Requests like these are plentiful – but so are the voices of senior creatives who tell our students and other professionals there is nothing wrong with knowing your worth.

Did you know that if a creative charges $300 a session they would have to do 5 a week for 50 weeks to make a gross wage of $50K less expenses. With the average yearly expenses for a viable photography business running 15-20K they would be making a mere $30K per year. Add in the fact creatives rarely have benefits or RRSP contributions – the cost of running a business must account for making a living wage and then some. 

Compare that to the poverty line in Canada for a single person is $27,624 (using Toronto) and for a family our four $57,531 (also using Toronto). So it is no exaggeration when we quote pricing that creatives are asking for the amount that allows us not only to survive but to thrive.

Support your creatives.

Always provide a budget when engaging creative services – if you cannot afford to run an event without free services it might be time to pause and go back to the drawing board.

Hire a professional today.

We pride ourselves in the work we do and the client partnerships we have. Some of my longest standing partnerships started with the simple steps of providing a budget, a scope of work clearly laying out the time and services needed and a signed contract. What we have both gotten is a long lasting relationship telling amazing stories and enjoying great projects in tandem with one another. 

On the flip side I choose a few spaces and events to provide my services pro-bono to raise money for my three boys schools, my local Rotary Club on occasion and events that raise awareness for domestic violence or support second homes for dogs such as The Animal Guardian Society (TAGS).

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Kirsten McGoey, Visual Storyteller and CEO of Trinity Design Photography

Fall Concert 2025 with O’Neill CVI’s Performing Arts

Fall Concert 2025 with O’Neill CVI’s Performing Arts

O’Neill Performing Arts present the annual Fall Concert 2025.

We enjoyed performances from:

🥁 Concert Band
🎺 Symphonic Winds
🎶 Senior Winds
🎷 OJ1, OJ2, OJ3
🎤 Chamber Choir
🎼 Treble Voices

🎟️Tickets were $5

A night of amazing performances and support our talented performing arts students on October 30th at 7:00pm (ending just before 9 p.m.).

The yearbook was here to cover the performances and you can also find them on Youtube: https://youtu.be/0_61l5n1ZJg?si=Aibf-VwIHOMf56d3

Follow the program to attend upcoming performances, I hear the Christmas event is something special.

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Kirsten McGoey, Visual Storyteller

Limited Edition: Sunflower Sessions Whitby/Brooklin

Limited Edition: Sunflower Sessions Whitby/Brooklin

Our session link is live for 6 Limited Edition Sunflower Sessions at B’more Sunflower farms just west of Brooklin. The north field is our location and all the details are in the booking link so grab one of these 6 spots before they are gone.

BOOK THE SESSION

Join us for an evening at B’More Sunflower farms – sessions will be 15 minutes long. The sunflowers here are shorter due to the farm philosophy of not using chemicals on the flowers and it gives the farm walks a more connected feel.

Wide pathways move along with some changes in levels, flowers at the level for little humans and easier to balance with families as they walk the maze. The maze is open to customers so we will be guests in the maze during our time there. 

Full details are listed in the ticket link above.

We look forward to working with you during this Limited Edition sessions.

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Kirsten McGoey | Visual Storyteller

A Guide to Understanding Photography Copyright

A Guide to Understanding Photography Copyright

The idea of who owns the copyright for photography is perhaps the most important part of running a successful photography business. Without it the landscape to earn a living wage is diminished so if you are just starting out or perhaps need a refresher we are here to help. If you are a new or existing client we would love you to read along.

A partnership with your photographer is a wonderful thing and we know it’s important to sometimes explain how are services are set up and our fees calculated. This allows for that photographer to stay in business as your photographer for many, many years to come.

What is Copyright in Canada?

“For all artistic works, the author of the work is the first owner of its copyright. The author may then assign the copyright to another person. Determining who is the “author” of a photograph will depend on when the photo was taken since the process, as outlined in the Copyright Act, was amended by the passing of the Copyright Modernization Act in 2012.” (CIPPIC, https://www.cippic.ca/articles/copyright-and-privacy-in-photography)

So we need to look at work created before and after 2012 when the Copyright Modernization Act came into place.

Before 2012 – “photograph authorship fell under a special regime in the Copyright Act. When a photo was taken, the copyright, by default, belonged to the person who owned the film negative, or digital camera at the time the photograph was taken. This means that the photographer was not necessarily the author of the photograph.” (CIPPIC) 

Thankfully this has changed because this would be for clients and photographers alike hard to keep track of. With the rise of digital cameras and phones the law was updated in 2012 under the Copyright Modernization Act.

After 2012 – “As of November 2012, the author of a photograph is the person who takes the photo. This brings photo authorship in line with the rules governing other “Artistic Works” such as paintings, drawings and sculptures.” (CIPPIC)

 

Why Photographers Do Not Give Up Copyright

1 - Revenue Streams graphic.

AppRevenue streams that come from being able to sell licenses to use photography is a revenue stream for photographers.

Just like an author sells books in a quantity, a photographer – when appropriate – sell multiple licenses to create revenue from content they have created. Clients may ask for a time period where the content is exclusive or to buy copyright, but this then would be sold at a much higher cost as revenue streams then are lost to them. (Note: Resale is more on the commercial side, not so much for retail).

1 - Revenue Streams graphic.

By selling a license to content the photographer remains in control of the use of the work they create. This ensures that the work is not used by the organization without the photographer’s input. For example, I recently had to ask images I made for a client to not be used to advertise images another photographer was taking for them. The images were not representing to their clientele what they would receive and were not created for that use. The exchange was cordial as likely they had no idea about the copyright on the images they used.

1 - Revenue Streams graphic.

When the budgets to create content are constantly lowering and the fees to run a business increase copyright ensures the right to earn a living wage. In our industry operational costs versus income determine our fee structure but sadly many photographers do not understand the cost of doing business.

When we do as a  photographer we ensure a strong business that can serve you and your organization for years to come with reliable services and new skills. After almost 12 years in business I know it has made my business viable.

Licencing Types of Photography

(There are two main areas of photography that photographers like myself work in.

The first is retail photography which is defined as B2C or business (that’s me) to consumer (that’s you hiring me for personal photography). In B2C I provide services such as family photography, graduation photos and so on (it would also include weddings).

On the other side I also provide commercial photography – defined at B2B or business (that’s me) to your business (that’s any business you run or work on behalf of). In B2B I cover events, create content for magazines, shoot headshots for employees and create content for ad campaigns.

In both cases I release content with a license that defines how it can be used.

For retail this typically is for personal use and doesn’t get too picky, for example, if you want to add it to a family album. But you cannot on the flip side get married and then provide the images to vendors as the license doesn’t allow for sharing beyond your own personal use. It also might ask you not to edit with filters and the like so as not to represent our work in a way that it wasn’t given to you. As mentioned before we do not typically resell on this side of the services we offer, using it only to ensure it represents us and is not used for commercial purposes.

For commercial the points of use are often negotiated – depending on the use, duration and budget – this can look different from client to client. A client might ask for exclusive use for a time period or in some rare cases to buy the content outright. The latter is demonstratively more expensive and is rarely in line with the budget so licensing is standard in the industry.

Working with Photographers

Building a relationship with your photographer through licensing their work is a great asset to your business.

We already spoke in an earlier article to the pitfalls of using stock images and know using fresh content is a stronger option for a successful brand.

It also means you have a reliable, local provider who understands your business and will be in business for many years to come.

Want to work with us – connect with us via the website form: Connect

Kirsten McGoey | Visual Storyteller

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